CH649 · Rewrite

Chapter 649: Black Money

“Thank you. I’ll call on you again tonight.”

Yorko’s jaw dropped. He looked from Otto to Hill and back again. They’d discussed everything in the room except him — the actual Ambassador of Graycastle, the man whose neck was nominally at risk in this arrangement. The moment Otto left, Yorko turned to Hill with the full weight of his grievances lined up and ready.

Hill said: “This is also what His Majesty wants.”

The grievances dissolved before he could deliver the first one. Yorko pressed his hand to his forehead. “Are you certain? I represent the Kingdom of Graycastle. If Appen Moya discovers I’m transporting a witch, every diplomatic gain we’ve made goes up in smoke. What then?”

“Appen won’t focus on this kind of detail.” Hill’s tone was the patient one he used when he’d already made up his mind. “And even if he does — witches matter more than the alliance.” He paused. “I’ve already had my men check the refugee screenings for witches. None detected. Either they aren’t hiding among the refugees, or they’ve blended so completely that even our people can’t find them. Either way — if you can bring a witch to His Majesty, the reward will be substantial. He values them greatly.”

Yorko acquiesced with a sullen nod and began the interior work of accepting it.

It’s just another form of exploration, he told himself. A different venue. An unfamiliar crowd. He was genuinely curious, now that he applied himself to curiosity: what kind of merchandise required an exhibition that Denise Payton — a reputable and well-connected merchant — wasn’t qualified to attend?

Otto arrived at the entrance punctually that evening.

The coach waiting for them bore no emblem. Its interior was furnished with thick fur rugs and — suspended from the ceiling on two iron rings — a pair of chains with cuffs at the ends. Yorko understood their purpose without asking.

“Unusual taste,” he said.

Otto went red. “It’s not mine. This kind of carriage is practical when you need to restrain someone discreetly.”

“Of course.” Yorko stroked the cuffs with two fingers. “Can I borrow it for a few days after this business is over?”

“Fifty silver royals a day. Includes the coachman.”

The coach rolled west. Otto lay back against the fur rug and closed his eyes; Yorko watched the city give way to open road and then to darkening countryside. An hour, Otto had said. After the city gate, the sun dropped and the last light vanished into the fields.

Yorko recalculated. “We can’t return to the king’s city tonight — the gates close at sundown.”

“‘Black Money’ provides food and accommodation.” Otto didn’t open his eyes. “Everything you’d find in the city, they supply.”

“Sounds like a market.”

“Underground, and more selective.”

The venue was unremarkable from the road: an ordinary yard, jagged fencing, a mud-and-straw house at the center, farmland behind it with harvested wheat-straw piled at intervals across the ground. What distinguished it was the torches — dozens of them planted across the fields, visible from the road. Guards. Nobody torched the yard of a civilian home.

The carriage was checked at the gate. Otto and his men remained in the yard. A guide — a young woman in a mask — led Yorko alone down a wooden staircase into a man-made tunnel and out into a natural limestone cave.

The cave was roughly half the size of the main square in the king’s city. Stalactites overhung the ceiling; the floor had been cut flat and tiled. Small caves lined the walls on either side, each pitch-dark, leading somewhere invisible. The main chamber was already crowded with guests waiting for the exhibition to begin, their voices a low murmur against the stone.

Then, from above: the metallic scraping of iron cables being lowered.

Strange stones hung at the end of each cable — and as they descended, they poured light into the cave. Not torchlight. Something brighter and cleaner, radiating soft and steady. In a moment the murmuring stopped. The torches seemed dim by comparison. The stage at the far end of the cave became clearly visible.

A man in a tuxedo walked onto the stage and bowed to the audience.

“Thank you for waiting. I now declare the ‘Black Money’ exhibition officially open.”

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